Oil On Canvas, Real Flavor of Old Masters

All Paul Cezanne 's Paintings
The Painting Names Are Sorted From A to Z

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ID Image  Painting (From A to Z)       Details 
11361  
The Strangled Woman, Paul Cezanne
  		 The Strangled Woman   1872 1' x 9 3/4''(31 x 25cm)Gift of Max and Rosy Kaganovitch,1973
27746  
The Temptaion of St Anthony, Paul Cezanne
  		 The Temptaion of St Anthony   mk62 1873-1877 Oil on canvas 47x56cm Paris,Musee d Orsay
27879  
The Temptation of St.Anthony, Paul Cezanne
  		 The Temptation of St.Anthony   mk62 c.1870 Oil on canvas 54x73cm
10810  
Three Bathers, Paul Cezanne
  		 Three Bathers   1875 - 1877. 8 3/4" x 7 1/2" ( 22x19 cm).
21097  
Three Bathers (mk06), Paul Cezanne
  		 Three Bathers (mk06)   ca 1875-1877 8 3/4'' x 7 1/2''(22 x 19 cm)RF 1982-40
24767  
Three Bathers (mk35), Paul Cezanne
  		 Three Bathers (mk35)   1879-1882 Trois baigneuses Oil on canvas 58 x 54.5 cm
27888  
Three Women Bathing, Paul Cezanne
  		 Three Women Bathing   mk62 c.1879-82 Oil on canvas 50x50cm Petir Palais Pairs
60959  
to prepare the banquet, Paul Cezanne
  		 to prepare the banquet   mk273 1891 Oil on canvas 45.7 x 55.3 cm
60924  
to wear red clothes Mrs Cezanne, Paul Cezanne
  		 to wear red clothes Mrs Cezanne   mk273 1888 Oil on canvas 89 x 70 cm
61016  
tree, Paul Cezanne
  		 tree   mk273 1902-1904 Oil on canvas 79.1 x 63.5 cm
60810  
trees and Basin, Paul Cezanne
  		 trees and Basin   mk273 1868-1870 Oil on canvas 38.1 x 46 cm
27748  
Trees in the Jas de Bouffan, Paul Cezanne
  		 Trees in the Jas de Bouffan   mk62 Oil on canvas 54x73cm
27864  
Trois baigneuses, Paul Cezanne
  		 Trois baigneuses   mk62 1879-1882 Huile sur toile 52x55cm Paris,musee du Petit Palais
61053  
tuinman, Paul Cezanne
  		 tuinman   mk273 jaar 1904 Olieverf op doek 65,4 x 54,9 cm
89180  
Turning Road at Montgeroult, Paul Cezanne
  		 Turning Road at Montgeroult   1898(1898) Medium oil on canvas Dimensions Height: 81.3 cm (32 in). Width: 65.7 cm (25.9 in). cjr
90256  
Ufer der Oise, Paul Cezanne
  		 Ufer der Oise   1888(1888) Medium oil on canvas Dimensions 49 x 60 cm cjr
27807  
Une moderne Olympia, Paul Cezanne
  		 Une moderne Olympia   mk62 1870 Huile sur toile 56x55cm
27815  
Une moderne Olympia, Paul Cezanne
  		 Une moderne Olympia   mk62 vers 1873 Huile sur toile 46x55.5cm Paris,musee d Orsay
48701  
Unknown work, Paul Cezanne
  		 Unknown work   mk191 1873 Oil on canvas 55x66cm
60846  
valley, Paul Cezanne
  		 valley   mk273 1881 Oil on canvas 72 x 91 cm
61036  
van het huis op een heuvel, Paul Cezanne
  		 van het huis op een heuvel   mk273 jaar 1904 Olieverf op doek 65,7 x 81 cm
27833  
Vase a fleurs et pommes, Paul Cezanne
  		 Vase a fleurs et pommes   mk62 1889-1890 Huile sur toile 55x47cm
364  
Vessels, Basket and Fruit, Paul Cezanne
  		 Vessels, Basket and Fruit   1888-90 Musee d'Orsay, Paris
60849  
viaduct, Paul Cezanne
  		 viaduct   mk273 1882 Oil on canvas 46.5 x 55.6 cm
93736  
Viadukt, Paul Cezanne
  		 Viadukt   1887(1887) Medium oil on canvas Dimensions 91 x 71 cm cjr
60832  
Victor, Paul Cezanne
  		 Victor   mk273 1877 Oil on canvas 45.7 x 38.1 cm
87621  
Victor Chocquet Seated, Paul Cezanne
  		 Victor Chocquet Seated   c. 1877 Medium Oil on canvas Dimensions Deutsch: 46 x 38 cm cjr
60998  
Victor S. Hill 5, Paul Cezanne
  		 Victor S. Hill 5   mk273 1897 Oil on canvas 78 x 99 cm
60881  
Victor St Hill, Paul Cezanne
  		 Victor St Hill   mk273 1885 Oil on canvas 62 x 92 cm
61024  
Victor St. Hill, Paul Cezanne
  		 Victor St. Hill   mk273 1902-1904 Oil on canvas 54 x 73 cm
61028  
Victor St. Hill, Paul Cezanne
  		 Victor St. Hill   mk273 1904-1906 Oil on canvas 60 x 73 cm
61029  
Victor St. Hill, Paul Cezanne
  		 Victor St. Hill   mk273 1904-1906 Oil on canvas 60 x 72 cm
60999  
Victor St. Hill 6, Paul Cezanne
  		 Victor St. Hill 6   mk273 1897 Oil on canvas 78 x 99 cm
56974  
Vidocq Hill St, Paul Cezanne
  		 Vidocq Hill St   mk250 In the year 1902-1904. Oil on canvas, 69.9 x 89.5 cm. Philadelphia Museum of Art
27739  
View of Auvers-sur-Oise-The Fence, Paul Cezanne
  		 View of Auvers-sur-Oise-The Fence   mk62 1873 Oil on canvas 44.5x34.5cm
27772  
View of Chateau Noir, Paul Cezanne
  		 View of Chateau Noir   mk62 1894-1896 Oil on canvas 73x92cm Washingto D.C.National Gallery of Art,Gift of Eugene and Agnes Meyer
24858  
View of Chateau Noir (mk35), Paul Cezanne
  		 View of Chateau Noir (mk35)   1894-1896 Vue du Chateau noir Oil on canvas 81 x 65 cm Private collection
60813  
Village de sac, Paul Cezanne
  		 Village de sac   mk273 1872-1874 Oil on canvas 46 x 55 cm
60823  
village panorama, Paul Cezanne
  		 village panorama   mk273 1876 Oil on canvas 65.2 x 81.3 cm
11463  
Village Road, Paul Cezanne
  		 Village Road   Auvers,ca 1872-1873 1' 6'' x 1' 9 3/4''(46 x 55.5 cm)Gift of Max and Rosy Kaganovitch,1973
72947  
Village Road Near Auvers, Paul Cezanne
  		 Village Road Near Auvers   "Village Road Near Auvers (Le Chemin du Village)," by the French painter Paul CXzanne. Oil on canvas. 15 in. x 18 1/2 in. Yale University Art Gallery, bequest of Kate L. Brewster (Mrs. Kate Lancaster). Courtesy of Yale University, New Haven, Conn. cjr
60841  
village scenery, Paul Cezanne
  		 village scenery   mk273 1881 Oil on canvas 73 x 92 cm
60919  
villages and mountains, Paul Cezanne
  		 villages and mountains   mk273 1887 Oil on canvas 66.8 x 92.3 cm
88143  
Vorbereitung auf das Begrabnis, Paul Cezanne
  		 Vorbereitung auf das Begrabnis   1869(1869) Medium Oil on canvas Dimensions Deutsch: 49 x 80 cm cjr
27816  
Vue sur I Estaque et le chateau d'lf, Paul Cezanne
  		 Vue sur I Estaque et le chateau d'lf   mk62 1883-1885 Huile sur toile 71x57.7cm
60799  
Wears cotton cap s Dominic Uncle, Paul Cezanne
  		 Wears cotton cap s Dominic Uncle   mk273 1866 Oil on canvas 79.7 x 64.1 cm
61041  
weg te gaan, Paul Cezanne
  		 weg te gaan   mk273 jaar 1904 Olieverf op doek 65 x 81cm
60840  
were five men and Bath, Paul Cezanne
  		 were five men and Bath   mk273 1880 Oil on canvas 34.6 x 38.1 cm
61003  
were five men and Bath, Paul Cezanne
  		 were five men and Bath   mk273 1990 Oil on canvas 42.2 x 55 cm
60985  
were seven men and Bath, Paul Cezanne
  		 were seven men and Bath   mk273 1896 Oil on canvas 37.5 x 45.5 cm
27725  
Winter, Paul Cezanne
  		 Winter   mk62 c.1860-1862 Oil on canvas 314x104cm Venturi7 Paris,Musee de la ville de Paris Petit Palais
29355  
Woman in Blue, Paul Cezanne
  		 Woman in Blue   mk65 ca.1899 Oil on canvas 35x28"
61012  
woman was wearing blue clothes, Paul Cezanne
  		 woman was wearing blue clothes   mk273 1901 Oil on canvas 88.5 x 72 cm
27911  
Woman with a Coffee Pot, Paul Cezanne
  		 Woman with a Coffee Pot   mk62 c.1890-4 Oil on canvas 130x97cm Musee d'Orsay Paris
11475  
Woman with Coffee Pot, Paul Cezanne
  		 Woman with Coffee Pot   ca 1890-1895 4' 3 1/2'' x 3' 2''(130.5 x 96.5 cm) Gift of Mr.and Mrs.Jean-Victor Pellerin,1956
33983  
Woman with Coffee Pot, Paul Cezanne
  		 Woman with Coffee Pot   mk87 c.1890-1895 Oil on canvas 130.5x96.5cm Paris,Musee d'Orsay
21509  
Woman with Coffee Pot (mk09), Paul Cezanne
  		 Woman with Coffee Pot (mk09)   c.1890-1895 Oil on canvas,130.5 x 96.5 cm Paris,Musee d'Orsay
86397  
Women Bathing, Paul Cezanne
  		 Women Bathing   1900 Oil on canvas, 73 x 92 cm Date 1900(1900) cyf
29277  
Young Girl at the Piano, Paul Cezanne
  		 Young Girl at the Piano   mk65 ca.1868/69 Oil on canvas 22 1/2x36'
61039  
zwarte kasteel, Paul Cezanne
  		 zwarte kasteel   mk273 jaar 1904 Olieverf op doek 73,6 x 93,2 cm
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Paul Cezanne
French Post-Impressionist Painter, 1839-1906 During the second half of the 19th century French impressionism created a dramatic break with the art of the past. In conception and appearance the style was radically new and, although it initially inspired public ridicule, it soon affected nearly every ambitious artist in western Europe. The new vision emerged during the 1870s, chiefly in the art of Claude Monet, Auguste Renoir, and Camille Pissarro. For each of these artists impressionism was an illusionistic style which differed from the tradition of Renaissance illusionism in its greater emphasis upon vibrant, natural color and on an immediate confrontation with the phenomena of the visible world. As the style developed during the 1880s, however, it increasingly became characterized by paintings which were flat rather than illusionistic. In other words, the impressionists insistence upon a direct application of pigment to canvas resulted in surfaces which declared themselves first of all as surfaces - and, consequently, in paintings which declared themselves first of all as paintings rather than as windows which looked out upon the natural world. The tendency toward flatness persisted into the last years of the 19th century, its pervasiveness giving the impression that illusionistic space - fought for, won, and defended since the very beginning of the Renaissance - had finally been sacrificed by the medium of painting. Paul C??zanne worked within and finally emerged from this trend. As a painter, he matured slowly, his greatest works coming during the last 25 years of his life. During this period he scored a remarkable and heroic achievement: he restored to painting the space and volume that had seemingly been lost to it. But he did it in a totally unprecedented way: not by return to the illusionism of the past but by the creation of a spatial illusionism that did not violate flatness. C??zanne was born on Jan. 19, 1839, in Aix-en-Provence. His father, Philippe Auguste, was the cofounder of a banking firm which prospered throughout the artist life, affording him financial security that was unavailable to most of his contemporaries and eventually resulting in a large inheritance. In 1852 C??zanne entered the Coll??ge Bourbon, where he met and became friends with Émile Zola. This friendship was decisive for both men: with youthful romanticism they envisioned successful careers in the Paris art world, C??zanne as a painter and Zola as a writer. Consequently, C??zanne began to study painting and drawing at the École des Beaux-Arts in Aix in 1856. His father opposed the pursuit of an artistic career, and in 1858 he persuaded C??zanne to enter law school at the University of Aix. Although C??zanne continued his law studies for several years, he was simultaneously enrolled in the School of Design in Aix, where he remained until 1861. In 1861 C??zanne finally convinced his father to allow him to go to Paris. He planned to join Zola there and to enroll in the École des Beaux-Arts. But his application was rejected and, although he had gained inspiration from visits to the Louvre, particularly from the study of Diego Vel??zquez and Caravaggio, C??zanne experienced self-doubt and returned to Aix within the year. He entered his father banking house but continued to study at the School of Design. The remainder of the decade was a period of flux and uncertainty for C??zanne. His attempt to work in his father business was abortive, and he returned to Paris in 1862 and stayed for a year and a half. During this period he met Monet and Pissarro and became acquainted with the revolutionary work of Gustave Courbet and Édouard Manet. C??zanne also admired the fiery romanticism of Eug??ne Delacroix paintings. But he was never entirely comfortable with Parisian life and periodically returned to Aix, where he could work in relative isolation. He retreated there, for instance, during the Franco-Prussian War (1870-1871).



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